Your PR Architect

Lady Gaga may or may not be a fashion icon. But someone at Pearson Publishing thinks she's a barometer of public relations, and chose her as the cover photo for Fraser Seitel's The Practice of Public Relations (12th edition). Footnote: some guy named Obama was the cover photo of the 11th edition. This isn't about tastes in music or whether Mr. Obama is a successful president. It's about our attitudes toward celebrity, and how we eagerly accept entertainers as exemplars of brilliance. I don't follow Lady Gaga or her music, but I do see how she's adept at leveraging opportunity when it comes her way. Examples: Polaroid -- today a foonote in photography -- made a splash in 2010 when it named Lady Gaga its "creative director."  Digital cameras were wildly popular then, and manufacturers churned them out in semi-bedazzling colors. Polaroid's marketing move cued plenty of headlines. However, Polaroid's brand image never rose above the "

Through an intriguing cross-marketing agreement, Lands End recently sent copies of GQ to its most loyal customers, along with their catalogs. Some were unhappy with the semi-risqué photos of an under-dressed female model. (You can view the image here .) They complained loudly, and L.E.'s CEO apologized. Read about it here: http://www.nytimes.com/2014/08/14/business/media/risque-promotion-prompts-outcry-from-lands-end-customers.html?_r=0 From a crisis communications viewpoint, Lands End -- inventor of the Squall jacket -- did most things right, especially with CEO Edgar Huber's direct apology:  “There are simply no excuses; this was a mistake.” And removing customers' names from the GQ mailing list was a smart move, too. Cross-promotions involving trendy media are tricky. A case could be made that Conde Nast, GQ's publisher, severely misjudged the clothier's demographic; conservative, middle-of-the-road consumers who want durable fashions. Hint: sweater

Photojournalists have been fired for altering news photos. Public relations people disseminate art-directed, staged, or Photoshopped publicity photos. Somewhere in-between: crowdsourced photos used online by news media. Local TV and newspaper staffs are pretty lean, so they solicit photos from viewers and readers. Asking readers and viewers to send photos is a handy way to engage your audience but there's risk involved. A scheming news junkie with a smartphone could contrive an image, although most editors are wise enough to spot a faked photo. But what happens when a news outlet alters a submitted news photo for no apparent reason? Look carefully at these two images, posted by two competing TV news outlets on their websites. Both show a burning car, from which the driver was rescued. A closer look reveals a subtle alteration between the two shots. For unexplained reasons, the first news outlet omitted the license plate numbers. The second news channel ran the photo with

Bill Destler, RIT president A few days ago, I volunteered at an intriguing symposium discussing diversity in the arts in Rochester, NY. My friend Rachel's 21st Century Arts organized this event. I had no role except running a wireless mike to audience members during Q&A sessions, and snapping a few photos. Essie Calhoun-McDavid, retired Vice President, Kodak Kevin McDonald, Associate Provost, Division of Diversity, RIT I've worked in diversity, higher education, community affairs, and public relations for some time. Every so often, I found ways to bring two or more of these areas together. The arts need more diversity, and the companies and individuals who fund these organizations can help bring more diverse artists into the picture. With these modest qualifications, I made a few observations: While many executives from arts organizations (museums, dance companies, art galleries, theatres, etc) attended the symposium, just two individuals with corporate