Your PR Architect

I don't want to talk about Matt, Harvey, Kevin, Charlie, or Bill. Recent headlines have created a Sargasso Sea of sexual misdeeds and dismissed journalists. It's not a great climate in which to send news releases about vague "solutions" and nude cooking. But if you need a break from the misadventures of fallen media giants, the PR world can offer a brief respite. If you're willing to wade through some challenging prose. After reading this one from Gold Stream Solutions -- an agency that includes PR among its areas of expertise -- I'm starting to understand what's killing news releases. Lousy writing. News-free copy. Vague information. Quoting a CEO with no last name. I didn't realize CEOs qualified for the federal witness protection program. If that's not sufficiently amusing, consider this release, received by my friend Tracy Schuhmacher, who writes about food and drink for the Rochester (NY) Democrat & Chronicle. It's from th...

By Greg Rakozy (www.instagram.com/grakozy), via unsplash.com More than one friend of mine likes to post photos to Facebook. Photos of their travels. Snapshots from their parties. Lots of photos. Every. single. photo. Like a sky full of stars, that's too much to absorb. What's worse? Often, they're near-identical images -- group shots of three or four people, taken moment by moment, with little change of gesture or expression. Or the dreaded BOH (backs of heads). Not action photos, which might call for a rapid-fire sequence of images. Just group photos. People grinning for the camera. Do we need to see four, five, or six iterations of the same snapshot? No. That's unfair to everyone who follows you. Sure, social media is a visual medium. Visual communications, from infographics to vlogs, are the common currency of the internet. And, one outcome of citizen journalism and the proliferation of smartphone cameras is that people take countless photos. This isn...

The most important tool to get usable PR photos isn't a $5,000 digital SLR camera. Or a camera phone. Or some in-between device, like a point-and-shoot digital camera. It's your brain. The thinking machine between your ears.  Yes, I can tell you about tiny imaging sensors that capture grainy, disappointing photos. Or how any bright light source you see on your smartphone's screen will trick the camera into under exposing the shot, making faces dark and unrecognizable. Or how that tiny flash won't light up anything further than six feet from your lens. But you won't care. Or won't remember. So, instead, let's talk about your brain, and how it ought to think about PR photos. It should ask three questions, well before you decide that photos of a PR event would be good to have: 1. How quickly does the world need to see these photos? 2. Where will these photos be used? 3. What message will the photos say about your brand? First, how q...